Always Already is a body of work made by a process that oscillates between the immateriality of digital media and the materiality of traditional monotype printing. Our experience of the world around us is constructed from the contents of our impressions. Memories are formed by these impressions but when memories are stored and then retrieved, they often change or even fail. Similarly, Always Already explores the way in which an image gets reduced or broken-down as digital technologies are appropriated with traditional making processes.
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